416 безплатни аудиофайлове за "Common Tone Modulation"

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

*Lesser 37-limit quarter tone on C = D-. Just: 38:37 = 46.17 cents. Limit: 37-limit. MIDI pitch bend: 99,78

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Ninth vs added-ninth chord.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Chord progression with diminished seventh chords added.

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Mother chordMutterakkord

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

*Greater undecimal neutral second on C = D↑♭- (Ben Johnston's notation). 11/10 = 165 cents. Limit: 11-limit. MIDI pitch bend: 103,84 on m2

*Quarter tone on C = C/D. Equal-tempered: 21/24:1 = 50 cents. Preceded by:'

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Taken in the malloy commons at loyola before school.

Sirviendo agua con una jarra en un vaso.

A beat normally used in thrash metal. I made this sample in acoustica beatcraft.

A common light switch being turned to the off position.

Sound sheen is very common in the world languagesby: maqsood hasniabuzar barqi kutab'khana dec. 2019.

The sound of me ringing a small tabletop bell twice. Recorded in my bedroom with a headset mic.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

It's a free victory sound and you can use it if you want. Use it for video games, videos, etc, 0% creative commons (:.

Short uk ringing tone recorded from a mobile phone.

Bats recorded along the lagan river near belfast in september 2019. This recording was originally made at 192 khz but the registered sample rate has been changed to 16 khz in order to make their ultrasonic calls audible in playback. In this excerpt you can hear social calls (the trills), soprano pipistrelle echolocation (the higher pitched chirps) and common pipistrelle echolocation (the lower pitched chirps). Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.

A bunch of noises from around the house, just experimenting with a contact mic really. The coffee maker at the end is really neat though.

Error sound.

A nice, pure "tink" sound derived from glass.

Very interesting tones, maybe solo oscillators or something similar :-). It was a terrible tones meeting. . .

Station with special tone - probably for imaginary easier but not very narrow band pile-up work.

A 440hzsine tone recorded at 96khz 32bit. Uploaded mainly to test uploading to freesound but useful as a test tone just the same.

A simple set of "droplets" made with the intention of becoming a slogan tune. Although i decided to upload it here instead. Made with fl studio 10 - producer edition using the 3x osc and a lot of mixing! free for all use. Commercial and noncommercial.

Sneezing loudly.

This is the sound of a garage door closing from the inside of the garage. Recorded with a mixpre 3ii and a pair of audio technica at943 microphones in stereo.